Staff Picks

If A=B and B=C, then A=C, or “…you will thank me later.”

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You know, there still seems to be that puzzling question among some members of the general public regarding what we librarians do beyond the traditional stereotypes. I mean, how many times have you been asked, “You went to school for this?” My stock response: “Well, it’s not rocket science, it’s library science!” Yes, librarians today do much more than sshhh people and locate books, but really when it comes down to it there is probably no aspect of librarianship more satisfying than the simple act of connecting people with good books.

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Black Swan Green, by David Mitchell

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Do not set foot in my office. That’s dad’s rule. But the phone’d rung twenty-five times. So I went in. But the person on the other end didn’t answer.

The last six steps I took in one death-defying bound. We crossed the crossroads by Black Swan and went into the woods. The lake in the woods was epic. Granddad’s Omega’d never once gone wrong in four decades. In less than a fortnight, I’d killed it.

Powdery moonlight lit the attic room through the snowflake-lace curtain.
Her windpipe bulges as her soul squeezes out of her heart.
A silent roaring hangs here.
Not going anywhere.

“Since when do politics affect a mammal’s ability to sustain a flame?”

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It doesn’t happen too often, but there are some books that fall into the category known as “books I cannot read on the subway.”

More often then not these are books that make me laugh out loud, or at the very least give me watering eyes and one of those uncontrollable grins that can’t be wiped off my face. I get very subconscious and don’t want people on the subway car staring at me wondering “Is he laughing or crying?” or “Why does he have a big silly grin on his face?” or “He’s crazy.”

One of the books in this category was Jonathan Lethem’s, Motherless Brooklyn, where my fits of laughter were similar to the main character’s comical Tourette’s Syndrome outbursts. I started that book on the subway but had to finish it in the confines of my own home. Another writer whose work I can no longer enjoy during my commute to and from work is George Saunders.

David Sedaris’ entire body of work fits into this category. I recently flew to Colorado and in the Dallas airport I bought his new collection of essays When You Are Engulfed in Flames. I read the first few on the plane and had to put the book away when the flight attendant asked if I was ok. I challenge anyone to read his description of using a Stadium Pal while keeping a straight face.

They say laughter is the best medicine. David Sedaris is an overdose. I finished his book on the privacy of a porch with Pikes Peak in the distance, tears running down my face, my laughter echoing in the valley.
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