Photographs

Staff of the New York Public Library recently hand picked a set of nearly 500 images, collected from across our Digital Gallery, composing them as a curated set of images at the Commons on Flickr. They represent the Hudson River Valley through several hundred years of history and complement Mapping New York's Shoreline, 1609-2009, now up in the Gottesman Exhibition Hall at the Stephen A. Schwarzman Building.

The images depict landscape scenes in stereoscopic vision, a popular 19th century format; everyday and commemorative menus from restaurants and catering halls; postcards of scenic places and buildings; and engravings of important estates, prominent citizens and dramatic turning points in historical events. These images have been geocoded and are part of map-based bibliography, The Storied River, coming soon to the NYPL. Stay tuned, the launch will be posted on the NYPL's map blog...

In the meantime, enjoy the same photos at the Commons on Flickr, perused as a gallery of images... Mapping New York's Shoreline: The Storied River

...or, my favorite, pinned to a map on the Flickr website.

Learn more about the NYPL Map Division.

As I have mentioned in the past, part of my work entails handling some wonderful photographs. One collection I processed last year was the Photographic Views of the United States, comprised of photographs from locations across the continental U.S., Hawaii and Alaska. While its layout is intuitively alphabetized by state, Matt Knutzen, from the Map Division decided to provide an alternative visual interface, connecting the images with their locations on a map of the United States. To view open the attachment below in Google Earth. Pretty cool, huh? We’re hoping this is just the beginning of our collaboration. I’ll write again about any new ideas or developments.

Just last week, the New York Public Library updated their Flickr Commons photostream. The newest images are from the Milstein Division and include construction photographs of the Woolworth Building as well as block by block street views of both Fifth Avenue (1911) and Broadway (1899).

Not only are these images aesthetically beautiful, they are also valuable historical objects which are useful for historians and genealogists alike. The latter two collections allow detailed study of the storefronts that peppered the sidewalks of Broadway and Fifth Avenue. Chances are you may also spot an ancestor’s shop if they conducted business there during the turn of the century.

Since joining the Commons late last year the New York Public Library has been met with an enthusiastic response from the Flickr community. Additionally some of the comments we have received have enriched our understanding of our collections. Having our items within Flickr Commons also makes them available for other creative purposes. We look forward to viewing future comments and innovative reuse of our collections!

In a previous post, we looked at maps of Brooklyn from the 19th and early 20th centuries of the neighborhood once called Weeksville, centered on Hunterfly Road. It was there, in 1969, according to The Weeksville Society, that researchers rediscovered the "Hunterfly Road houses," the neighborhood's only remaining residential structures from the period. I'm curious to know if those same researchers used the Photographic Views of New York City, 1870s-1970s, located in The Irma and Paul Milstein Division of United States History, Local History and Genealogy, particularly the photograph below, shot by Percy Loomis Sperr in 1940, in their reports. Click the link at the bottom of this post to see what the Hunterfly Road houses look like today.

Google Maps Streetview

A couple of weeks ago I wrote a post on dating photographs based on photographic process and contextual clues. If this topic interest you, you may want to visit the Humanities and Social Sciences Library for two classes on dating and preserving photographs.

This Friday, I will be teaching a class called Clues from Family Photographs and next week, Tuesday Erin Murphy, the Associate Conservator for Photographs and Paper, will be offering a class called Caring for Family Photographs. Both of these classes will be held at 3:15-4:30 in the South Court class rooms.

Who doesn’t like old photographs? When I explain my responsibilities as a librarian here at the Milstein Division of the New York Public Library people seem most fascinated by my work with photographic prints. Perhaps this is due in part to the sense of history images capture that can elude written descriptions. This Fall I will be teaching a class on dating family photographs. Inspiration for developing this class came as I encountered undated and often times completely unmarked photographic prints. In this blog entry we’ll go through some of the steps one can take to approximate a date for a photograph looking at the example below:  read more »

I went to The Museum of Modern Art recently to check out some of the new photography exhibitions. In addition to the stark repetition the Bechers’ work and some of my favorites from Diane Arbus there was a wonderful exhibition of vernacular photography. The snapshots by anonymous photographers all depict the shadow of the photographer. The photos are hung salon style with a variety of different frames, bringing to mind a Victorian parlor or a page taken from a vintage photo album. Seeing all these photographs together also made me think of one of the downsides of the advent of digital photography: mistakes like these are now easily and instantly deleted.

Keep your back to the sun. This is one of the basic rules of photography for obvious reasons. Unfortunately (or fortunately, depending on your view of these things) this often led to the photographer inadvertently placing himself, or to be more specific, his shadow, into the picture. Sometimes it is apparent that this was intentional, with the photographer having a little creative fun by finding a way of inserting himself into the photograph while remaining behind the camera. The majority of the time though the shadow is unintentional, with the photographer concentrating on the subject in the view finder and not noticing the dark shape until after the prints were made. It’s kind of ironic, focusing on the subject and getting results that make the intended subject secondary. The shadow becomes the center of attention. The shadow becomes what the photograph is about. We no longer have a photograph of Sally playing in her own yard. We have a photograph of Sally being approached by a stranger in her own yard. The shadow of the photographer changes what is happening in the photograph. The results can be playful and lighthearted or an ominous and disconcerting dialogue between the subject and the unknown.

100 Shadows, an exhibition of anonymous photographs all depicting the shadow of the photographer, will be on display in the lobby of Jefferson Market through October.

Click through here for books on vernacular photography.  read more »

Recently the Milstein Division of U.S. History, Local History and Genealogy has acquired close to fifty books of historical photographs from locations across the United States. Photographic books are not uncommon but generally focus on large cities like Chicago, New York or Los Angeles. This series, however focuses on smaller cities like Omaha, Nebraska and Knoxville, Tennessee. Come visit us and take a look!

A new headquarters for The New York Times is being built on 8th Avenue between 40th and 41st Street. It is a 52 story building designed by the architect Renzo Piano. To document the construction of the tower is photographer Annie Leibovitz. The art project is titled “Building the Times: Photographs by Annie Leibovitz”.

http://nymag.com/

It is reminiscent of the photographs of the Empire State Building by Lewis Wickes Hine, as well as Margaret Bourke-White’s photos of the Chrysler Building.


Leibovitz’s is best known for her work at Rolling Stone, Vanity Fair and Vogue. In 2005, her photos took the first two spots for the best magazine covers of the past 40 years by the American Society of Magazine Editors.

No.2 – Naked and pregnant Demi Moore holding her belly for Vanity Fair.
No.1 – Naked John Lennon curled around Yoko Ono for Rolling Stone.

To see the photographs for “Building the Times” go to: http://newyorktimesbuilding.com/leibovitz/

For information about the architecture of the building checkout the website for the Architectural Record at: http://www.archrecord.construction.com/features/0802nytimes/default.asp

Also the magazine article:

The New York Times Building, New York City. By Suzanne Stephens
“Architectural Record.” February 2008, pg. 94-105.

The Art Division owns several books on Annie Leibovitz and Renzo Piano, to view the records take a look at our online catalog: CATNYP